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EVOQ建筑事务所公布了关于Isuarsivik地区康复中心的设计，该项目自从1994年开始就为Nunavik的14个社区提供专门的医疗服务，针对药物问题及心理创伤提供治疗。该中心是由因纽特人创建并为因纽特人服务的，该中心为有酗酒和药物成瘾的人们提供住院方案，以解决该地区性的问题。
EVOQ Architecture unveils its work on the new Isuarsivik Regional Recovery Centre, placing architecture at the service of healing for an institution that has been offering specialized services to residents of the 14 communities of Nunavik dealing with substance use and trauma since 1994. Created by the Inuit, for the Inuit, the Centre provides an inpatient program that responds to a regional problem by supporting people facing alcohol and drug addiction.
▼项目概览，general view ©EVOQ Architecture
新的地区康复中心的大小是原先的三倍，同时新增了为家庭提供的康复项目，并专门为孕妇提供支持及帮助。这一重要项目证明了地区组织和各国政府为支持Nunavimmiut人寻求康复所做出的承诺。它于 2023 年 9 月底正式开放。
The new Regional Centre triples the capacity of the previous one, while providing a new healing program for families and specialized support for pregnant women. This important project is proof of the level of commitment offered by regional organizations and various governments to support Nunavimmiut in their pursuit of healing. Its official opening took place at the end of September 2023.
▼项目外观，exterior of the project ©EVOQ Architecture
新中心的设计
Design of the new centre
新康复中心位于Kuujjuaq地区的一片充满岩石的半岛上，俯瞰Koksoak河。与自然之间的接触也是治疗过程的核心，建筑环境和自然一起营造出一种文化氛围，来支持Isuarsivik开发的治疗措施。中心的两翼像两根长长的urpik树枝条环抱着景观，urpik不仅仅是一种药用植物，也是中心的象征。
The new recovery centre stands on a rocky peninsula in Kuujjuaq overlooking the Koksoak River. Contact with nature is at the heart of the healing journey, with the built environment working alongside nature to create a cultural surrounding that supports the treatment developed by Isuarsivik. The centre fully embraces the landscape with its two long urpik branches-arctic willows, a medicinal plant and symbol of the Centre.
▼周围环境，surroundings ©Samuel Lagacé (Tumiit Media)
接待处位于两翼的交界处，是人流汇聚的中心。两翼围绕着qaggiq连接（灵感来源于因纽特人的集体冰屋，这是一个用于聚会和分享的圆形场所），这里也是中心的核心区域。这一层以及楼上的一层分布着公共区域，治疗服务区域和医生办公室。两处规模更小，内部空间更大的qagguit位于住院部的两端，两端还设有为客户或者访客服务的生活区域。
The reception is located at the intersection of the two wings, a true area of human confluence. The two wings connect around a qaggiq (inspired by the Inuit communal igloo, a circular ancestral place for meeting and sharing), and the true beating heart of the centre. On that level and on the floor above, public spaces, therapy services, and offices are located. Two smaller, more intomate qagguit are located at both ends of the accommodation wings, as well as living quarters serving the clients, or “guests”.
▼接待处，the reception ©Samuel Lagacé (Tumiit Media)
▼公共区域，public spaces ©Samuel Lagacé (Tumiit Media)
Nunavik的秋色浸染了室内区域，室内沉浸在浓郁的橘色，绿色和赭石色的色调当中。外观的灵感则来源于urpik树。柔和的外立面的饰面板强调了两翼的尾端，木质包裹的暖色调让人联想到北极柳树嫩芽的柔和光芒。
The fall colours of the Nunavik landscape pervade the interiors, bathing them in rich tones of oranges, greens and ochres. The exterior draws its inspiration from the urpik. The muted exterior cladding emphasizes the ends of the wings; the warm colour of the wood clad qagguit evokes the soft glow of the arctic willow catkins, or buds.
▼以橘色，绿色为主的室内色调，indoor space in rich tones of oranges, green ©Samuel Lagacé (Tumiit Media)
▼以橘色为主的室内色调，indoor space in rich tones of oranges ©Samuel Lagacé (Tumiit Media)
▼以橘色为主的室内走廊，corridor in rich tones of oranges ©Samuel Lagacé (Tumiit Media)
与艺术作品相结合的空间
Artwork integration
多个艺术作品都融入了项目之中，使当地的艺术家可以表达社区的文化：
urpik树被艺术家Alec Gordon重新诠释在主立面上。柔荑花序或花蕾在背光下闪烁着柔和的光芒。这幅作品适合在漫长的冬夜欣赏。
Tunniit（因纽特女性面部的纹身）由艺术家Sarah May设计，融入了如玻璃隔断和橱柜等设计当中。
qullialuk（因纽特人的传统油灯）在中心的主入口欢迎大家的到来。这件艺术品是艺术家Mattiusi Iyaituk, Benjamin Isaac, George Kaukai, Charleen Watt, Sarah May, 和Pascale Archambault共同合作的产物。
Several artworks were integrated into the project, allowing local artists to express the culture of the community:
The urpik has been reinterpreted by artist Alec Gordon on the main facade. The catkins, or buds, are backlit, recalling their soft glow. The work is best seen during the long winter nights.
Tunniit (Inuit female facial tattoos), created by Sarah May, were integrated in various places such as glass partitions and cabinetwork.
The qullialuk (large qulliq, a traditional Inuit oil lamp) welcomes guests at the main entrance of the centre. This sculpture is the result of a collaboration between artists Mattiusi Iyaituk, Benjamin Isaac, George Kaukai, Charleen Watt, Sarah May, and Pascale Archambault.
▼艺术作品，artworks ©Samuel Lagacé (Tumiit Media)
Isuarsivik Regional Recovery Centre
Architects: EVOQ Architecture(Alain Fournier, Carolyne Fontaine, Éric Moutquin, Félix Dallaire, Louis Babin-St-Jean, Marc-André Sorel, Catherine Fontaine, Huayna Sanchez, Marcel Goulet, Sébastien Daigle, Jean-François Lefebvre, Isabelle Laurier, Karine Dieujuste, Éric Leblanc, Laurie Beaumont, Krystel Aspirot, Anne-Julie Nolet, Anya Messaoud-Nacer)
Client: Isuarsivik
Civil Engineers: Atkins Réalis (SNC-Lavalin)
Structural Engineers: NCK
Mechanical-Electrical-Food-Service Engineers: BPA
Entrepreneur: Pépin Fortin Construction inc.
Lighting: Luxtec
ART WORKS:
Alec Gordon – Urpik
Sarah May – Tunniit & other grounds
Mattiusi Iyaituk, Benjamin Isaac, George Kaukai, Charleen Watt, Sarah May & Pascale Archambault – Qullialuk / Grand qulliq
Photographers: Samuel Lagacé (Tumiit Media) + EVOQ Architecture
